Most of these tracks end somewhere very different from where they begin. And if some of Butler's rhymes and sonics are breezier than before, his tracks still retain their moody, hard-thudding, and sometimes psychedelic atmospheres.
Butler continues to eschew traditional verse-chorus structures in favor of tracks that unpredictably diverge and then pool into lone, evocative words or concise chants. Which is not to say that these are easy, uncomplicated songs. Black Up lets some sunlight in, breathes fresh air, and finds Butler returning to an occasionally lighter flow, the most unburdened he's sounded since the world first heard him. But if Shabazz Palaces' first phase was about building a mystique, their Sub Pop debut is the product of opening up. And some comparisons are inevitable: The EPs continued the darkening trend that occurred in between Digable's unlikely breakthrough Reachin' (A New Refutation of Time and Space) and thornier follow-up Blowout Comb, and which developed further with the sinister funk of Cherrywine. His reticence was an attempt to let the music speak for itself and avoid comparisons to his previous acts (adding some alluring intrigue didn't hurt). Butler declined interviews and dodged photographers, and when he did speak, his answers were as evasive as his raps were richly, if obliquely, illustrative. That the reedy yet resonant voice behind Palaceer's raps was readily identifiable as Ishmael "Butterfly" Butler of downtempo rap collective Digable Planets (and, later, Cherrywine) did little to lift the shroud. The Shabazz Palaces and Of Light EPs featured an MC going by the name Palaceer Lazaro, and he introduced an alternately glittering and gritty urban noir taking place in the unlikely setting of Seattle. You could find precedents for this stuff- the amorphous wanderings of cLOUDDEAD, the jazz rap of the early 1990s- but these EPs were largely on some sui generis shit: Nothing else out there sounded quite like Shabazz Palaces. The music was some of the most exploratory hip-hop of the year, an enticing batch of fragmented raps and woozy, disorienting beats. And I loved her in DP.Shabazz Palaces emerged two years ago with an air of carefully cultivated mystery: Two EPs appeared, identified only by the Arabic patches on their covers. Coincidentally, Silkworm (now King Britt)'s solo production work is pretty awesome, Doodlebugs cosmic funk orchestra album or whatever it was called was legit, and Butterfly's new stuff (including the group Cherrywine) is pretty awesome, while Mecca's solo stuff blows kinda hard imo. I was hopeful when they reformed like 2 or 3 years ago, but I guess Ladybug Mecca is kinda being a b.ch about it. Really wish Digable Planets would get together and release a new album. Its a VERY different sound than digable's stuff (obviously, digables stuff sounds like it could've been released on Blue Note in the 1960s, while SP's albums sound like they're scheduled for release in 2020). That's the reason I initially got into them. Pretty sweet performance imo, especially considering its just 2 dudes creating such a crazy sound.Probably my favorite track off of the album:These two EPs were actually released at the same time as a 2 EP set.Shabazz Palaces - Of the Light (2009)Shabazz Palaces EP (2009)This is probably my favorite track they do. The rapper in the group is Ish (Butterfly) from Digable Planets which are one of my favorite groups ever.Here's them doing one of the tracks off Black Up live. If you've got the time, give it a few listens before you pass judgement it's definitely a grower. It is in my opinion the most experimental hip-hop I've heard in a LONG time. Shabazz Palaces - Black Up (2011):If you've never listened to this album before, it's going to sound pretty bizarre the first time you listen to it. Check it out below.' You can check out the tracklist and listen to the tracks on his bandcamp page here. All of them receive a fresh backdrop filled with smoky jazz samples and plenty of boom-bap.
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This includes everything from Nas’ “Virgo” to Jeru the Damaja’s “Ya’ Playin’ Yaself” to the Notorious B.I.G.’s “Ten Crack Commandments”. Same dude that did those Amy Whinehouse remix albums I posted a while back.From a blog, 'And on his newest release - Funky DL’s Remix Deluxe – the Brit stays completely behind the boards as he reworks some of his favorite rap joints from the past two decades. VA - Funky DL's Remix Deluxe The Album (2012)Lots of dope remixes on this joint.
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Shabazz Palaces Quazarz Born On A Gangster Star Zip.